Quick Details
Washington Photo Safari is pleased to announce that it is once again partnering with the Georgetown Business Improvement District to offer nighttime Photo Safaris of unique illuminated works of art known as GLOW Public Art.
Nighttime photography is a great skill to have when travelling, shooting on Manual Mode with tripods, and getting the correct settings for shutter speeds, apertures, ISO, and white balance to render nighttime scenes in their full beauty.
And there is no better way to learn and practice this skill than with illuminated artwork in a city display, led by a professional photographer-instructor like WPS Director **E. David Luria**. This year’s series of displays is particularly spectacular because it extends over 6 months from April through September of 2021 with a total of 8 works of art by 6 DC, 1 New York City and 1 Wisconsin artist.
The spring GLOW series takes place from Friday April 9th through Sunday June 27th with five Works, lit for the evening and also enjoyed by day as sculptures. The summer GLOW program runs from July 2nd to September 26th with three Works in three alleys live for the evenings but also enjoyed by day.
As a result, Washington Photo Safari will offer a total of 8 nighttime safaris in Georgetown during April through September 2021, and 6 daytime safaris that will combine the daytime GLOW sculptures with our regularly scheduled “Georgetown by Land And Sea” safaris that end up with a cruise along the Potomac River!
The displays will be shown at 8 different locations in Georgetown, including the Georgetown Lutheran Church, Georgetown Park Plaza, the Canal Mule Yard, Georgetown Waterfront Park, Washington Harbor, Cherry Hill Lane Alley, Oak Alley, and Sovereign Alley. For more information on the 2021 GLOW program visit http://www.georgetownglowdc.com/.
On this safari (#4), we will meet at Georgetown Waterfront Park to photograph Light Pavilion, by Edwin Baruch. This work explores the relationship between the historic and the contemporary. Furthermore, how what has once existed inspires what is created today. Appearing as a hologram of a former structure, The Pavilion provokes curiosity of the past through material, or the lack thereof, and light. The ethereal columns and groin vaulted impression stimulates engagement and interaction, providing an experience of discovery and wonder as one approaches and ultimately walks through the space built with light. The sight of this installation stimulates a sense of discovery and excitement, like that of encountering a ruin, and it is best captured with long exposures taken by cameras on tripods.
After photographing this display we will walk to photograph Madness Method, The artist duo will install about 200 computer-controlled lanterns that will appear chaotically arranged and will flicker and change in seemingly random patterns. They will use vintage-style lanterns on poles of different heights to add to the appeal and dissonance of the display.
Tripods recommended. Masks and social distancing required Smartphones users are also welcome. Rain date: May 8.
-
- Camera
- Lenses
- Extra memory cards
- Extra charged battery
- Accessories such as filters, remote release
- Tripod
- Weather appropriate clothing
-
Meet at intersection of 32nd and K Sts NW at 7:45pm, limited parking nearby. Georgetown Connector Bus available from 23rd Street Foggy Bottom METRO station.
-
Architectural photographer E. David Luria is founder and director of the Washington Photo Safari, which has provided over 6,700 photo safaris for 46,000 amateur photographers – an average of 5 people every day, 365 days a year, since it was founded in 1999.
“You taught me several important points and helped me better understand not only photography but also my own camera. I’ve taken photo classes at the Smithsonian, Glen Echo, and the Washington School of Photography. You’ve been the best among all the teachers I’ve had.“ David Lassiter, Olney, MD
Trained in Paris by a protégé of Henri Cartier-Bresson, Mr. Luria is a member of the American Society of Media Photographers and the Society of Photographic Educators and has had his images of DC appear in over 100 publications, calendars, and postcards and on 30 magazine covers.